Description- Movie
Language- Bengali
Origin- India
Genre- Drama
I will not go for frame by frame discussion but will restrict myself to only the pulse of the movie.
Disclaimer- Contains Spoiler
My Understanding
Rajkahini is not exactly a film about 1947 Indo-Pak partition but a film about the fight against the oppression of Men towards Women and yet again a fight for existence and freedom. Carefully and very intelligently interwoven behind the backdrop of partition. Its a political satire which questions the very meaning of the word ‘FREEDOM’. On one hand the director is portraying freedom through fireworks and long speeches by our the then prime minister while on the other hand he is showing the aftermath through dead bodies and rape victims. The movie depicts that freedom is just another political gimmick veiled to hide a simple fact, that people are bound to follow a certain class, and will follow. Otherwise consequences can be severe.
Begum Jaan, The king/Queen of her land/place/ house/brothel has potrayed strength, power and loyalty towards her subjects. She has a strong personality and motherly emotions. She hates men but she has her faith on Salim, who like a Senapati fights by her side. She also has her affection for Sujan, the jester of her queendom who equally fights and dies as a martyr protecting his mates. Though Begum Jaan has her weakness for the teacher but she never allowes her heart to rule her head. The Director stresses on the part that Begum Jaan’s territory is the only place which is in its truest sense secular and more free than the country itself.
People like Kabir and Master are omnipresent. They have no country no religion and have no one. Prafulla and Ilias manifest bureaucrats who are mere puppets in the hands of corrupt politicians. Acceptance of death by Begum Jaan and her fellow comrades depicts the sacrifice and emotions all the freedom fighters have endured not just for the freedom of the country but for the protection and preservation of our roots. This also speaks about our modern times where we are losing our attachments with our roots and background. The director introduces Kamala Thamma as the connecting bridge between the generations. Breast is just a lump of flesh and vagina is just skin, denoting that love is pure and beyond any materialistic want of few weak minds who feed on them. Two scenes first that of between Sujan and his love along the river bed and Secondly between Buchki and policeman towards the end of the film confirm the same.
Technical aspects
Multiple shots, wide camera angle are beautifully utilised. Background scores by Indradeep Dasgupta are amazing and used very aptly.
Rituparna shows amazing grace and delivers compact acting. Screenplay is worth mentioning.
I’m not happy with the editing though.
Narration of fables in the end is unnecessary and melodramatic. The National anthem could have been used during the credit.
In the beginning ,dialogues of Fatima’s father are not apt and and the emotions are not rightly portrayed.
Girls in the brothel do not suit the character requirement. The Bengali dialect used in the film does not resemble that time period.
Use of pejorative words by the characters seems forced at places and not spontaneous.
Thanks to Megha Bhattacharya for her help. Her strong grip on English Language helped me to make this article almost error free. But I take no responsibility for this acknowledgement part đ